๐จ๐บ๐ฎ ๐ฑ๐ฎ๐ ๐ป๐ผ๐๐๐ฎ๐ ๐ฒ๐
๐ฝ๐ผ๐๐ถรงรต๐ฒ๐ ๐ถ๐ป๐๐ฒ๐ฟ๐ป๐ฎ๐ฐ๐ถ๐ผ๐ป๐ฎ๐ถ๐ ๐ฑ๐ฒ๐๐๐ฒ ๐ฎ๐ป๐ผ: ๐ฎ ๐๐๐น๐๐ถ๐๐ฎ๐บ๐ผ๐ ๐๐๐น๐๐๐ฟ๐ฎ ๐ฒ๐๐๐ฎ๐ฟรก ๐ป๐ฎ ๐ก๐ผ๐บ๐ฎ๐ฑ๐ฒ ๐๐ถ๐ฒ๐ป๐ฎ๐น, ๐ฒ๐บ ๐ ๐ถ๐ฎ๐บ๐ถ, ๐ฟ๐ฒ๐ฝ๐ฟ๐ฒ๐๐ฒ๐ป๐๐ฎ๐ฑ๐ฎ ๐ฝ๐ผ๐ฟ ๐ ๐ฎ๐ฟ๐๐ฎ ๐ฑ๐ฒ ๐ ๐ฒ๐ป๐ฒ๐๐ฒ๐ ๐ฒ ๐๐ฎ๐ฏ๐ฟ๐ถ๐ฒ๐น๐ฎ ๐ฃ๐๐ปรญ๐ป ๐๐๐ฟ๐ป๐ฒ๐ผ.
โจ
Selecta III: Discurso InfinitoโจMoCAA, Museum of Contemporary Art of the Americas , โจMiami, EUA
Curadoria: Hernรกn Pacurucu e Vรญctor Hugo Bravoโจ
Coordenaรงรฃo geral: Marรญa Fernanda Chica Durรกnโจ
Abertura: 7 de novembro, ร s 18hโจ
Em homenagem a Untitled (Perfect Lovers), de Fรฉlix Gonzรกlez-Torres, ร canรงรฃo Amantes Hasta el Fin e ao achado arqueolรณgico dos Amantes de Sumpa, a exposiรงรฃo assume o amor nรฃo como tema, mas como estrutura de pensamento: um dispositivo crรญtico capaz de reorganizar a nossa compreensรฃo do tempo, do corpo e da memรณria, e uma forma de resistรชncia ร aceleraรงรฃo do presente.
๐ข๐ป๐ฒ ๐ผ๐ณ ๐ผ๐๐ฟ ๐ถ๐ป๐๐ฒ๐ฟ๐ป๐ฎ๐๐ถ๐ผ๐ป๐ฎ๐น ๐ฒ๐ ๐ต๐ถ๐ฏ๐ถ๐๐ถ๐ผ๐ป๐ ๐๐ต๐ถ๐ ๐๐ฒ๐ฎ๐ฟ: ๐๐๐น๐๐ถ๐๐ฎ๐บ๐ผ๐ ๐๐๐น๐๐๐ฟ๐ฎ ๐๐ถ๐น๐น ๐ฏ๐ฒ ๐ฎ๐ ๐๐ต๐ฒ ๐ก๐ผ๐บ๐ฎ๐ฑ๐ฒ ๐๐ถ๐ฒ๐ป๐ฎ๐น ๐ถ๐ป ๐ ๐ถ๐ฎ๐บ๐ถ, ๐ฟ๐ฒ๐ฝ๐ฟ๐ฒ๐๐ฒ๐ป๐๐ฒ๐ฑ ๐ฏ๐ ๐ ๐ฎ๐ฟ๐๐ฎ ๐ฑ๐ฒ ๐ ๐ฒ๐ป๐ฒ๐๐ฒ๐ ๐ฎ๐ป๐ฑ ๐๐ฎ๐ฏ๐ฟ๐ถ๐ฒ๐น๐ฎ ๐ฃ๐๐ปรญ๐ป ๐๐๐ฟ๐ป๐ฒ๐ผ.
Selecta III: Discurso InfinitoโจMoCAA, Museum of Contemporary Art of the Americasโจ, Miami, USA
Curators: Hernรกn Pacurucu and Vรญctor Hugo Bravoโจ
General coordination: Marรญa Fernanda Chica Durรกnโจ
Opening: 7 November, 6 pm
A tribute to Untitled (Perfect Lovers) by Fรฉlix Gonzรกlez-Torres, to the song Amantes Hasta el Fin and to the archaeological find of the Sumpa Lovers, the exhibition takes love not as a theme but as a structure of thought: a critical device able to reorganize our understanding of time, body and memory, and a form of resistance to the acceleration of the present.
